Nikolai rimsky-korsakov* rimsky korsakov·/ pittsburg symphony orchestra, the - scheherazade


What he later lamented in his autobiography as lacking in Balakirev’s teaching – ‘the technique of harmony and counterpoint, and an idea of musical forms’ – he learnt for himself from 1871 onwards as a professor at the St Petersburg Conservatory who always kept one step ahead of his students. For a while, the effect on his compositions was stultifying; but he was soon back on track with the freshest of his fairy-tale operas, May Night (1878–9) and The Snow Maiden (1880–81). His magical orchestration came to the fore in three concert-hall scores composed in the single season of 1887–8: Capriccio espagnol, the Russian Easter Festival Overture and the symphonic suite Sheherazade.

He haku mele ‘o Nikolai Andreyevich Rimsky-Korsakov (1844-1908). Ua hānau ʻia ʻo Rimsky-Korsakov ma Tikhvin Rūsia .


Nikolai Rimsky-Korsakov* Rimsky Korsakov·/ Pittsburg Symphony Orchestra, The - ScheherazadeNikolai Rimsky-Korsakov* Rimsky Korsakov·/ Pittsburg Symphony Orchestra, The - ScheherazadeNikolai Rimsky-Korsakov* Rimsky Korsakov·/ Pittsburg Symphony Orchestra, The - ScheherazadeNikolai Rimsky-Korsakov* Rimsky Korsakov·/ Pittsburg Symphony Orchestra, The - Scheherazade

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